If your limiter has too long of a release, it’ll compress the sub frequencies for too long, making them less apparent if it’s too short, distortion will occur. Using the right limiter for your mastering chain is crucial for preserving your sub frequencies and avoiding unwanted distortion.
You can also move this filter above your sub frequencies up to 130Hz, but if you do any more than this, it’ll begin to make your master sound thin. I’ll listen intently while I adjust the slope of the filter and the cutoff frequency. I like to use an EQ for this and attenuate the side image using a high-pass filter. What this does is reduce phase cancellation, resulting in a clear and present low-frequency range. You can use a high-pass filter on the side image to make the low-end mono. If you make your low-frequency range more, it’ll reduce the effect of unwanted phase cancellation. Get a FREE Mastered Sample of Your Song Why You Should Make Your Sub MonoĪlthough this won’t hold true in every mix or master, more times than not, making your sub frequencies mono is incredibly helpful and can make them easier to hear. This will ensure that the phase of the frequency is in phase with the rest of the signal. If you do use the lo-air plugin when mastering, use it very subtly and be sure to click the align function. This is similar to how distortion creates harmonics, but instead of the frequency being above the fundamental, it’s created below. LoAir is one of a few sub-harmonic generators. What it does is measure the lowest frequency in a signal, or it’s fundamental and generates a frequency below it. The Waves Lo-Air is a good sub-harmonic generator that adds harmonic content below the fundamental frequency – in turn creating an impressive sub-frequency range that you can control. Sub-harmonic generators aren’t super common, but they’re really useful nonetheless and easy to use. To make this happen, you’ll need to use a frequency-specific saturator, like the Saturn 2 by FabFilter. This will both distort and compress the range, making it both louder and fuller. If you want to thicken your sub, and not just make it easier to hear, use a saturator. If you do, you’ll notice how it quickly becomes easier to perceive. Harmonics make the fundamental easier to perceive. If your sub isn’t cutting through, try distorting it. If you want to make your sub frequencies more prevalent, try distorting to add some harmonics. Get a FREE Mastered Sample of Your Song Why You Should Distort Your Sub Frequenciesĭistortion is a powerful tool for a lot of reasons – but one of the best parts about it is how the harmonics it generates make fundamental frequencies easier to perceive.
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